Kari and Maureen

Born March 25 1970 - Canadian actress. Matchett is originally from Spalding in Saskatchewan, commenced her career in theatre when she moved to Ontario. In the 1990s, she made her first appearance on Canadian TV. When she moved into the United States she appeared in The Secrets of Nero Wolfe Invasion 24 The Hours Studio 60 on The Sunset Strip Ambulance Earth. In the series, she played Last Conflict. The role she played as a character in The Department of Wet Cases which is a Canadian TV drama, was recognized with an award called the Gemini Award. She also played her wife on one the major characters from many seasons of Impact. The actress has played Joan Campbell since 2010 in the TV show Covert Operations. On the big screen she starred in the 2002 Canadian production Cube 2. She also starred in Angel Eyes Boys with Broomsticks The Tree of Life, Boys with Broomsticks, and Hypercube. Divorced. Jude Lyon Matchett's son was her first child born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) was an enthralling actress due to her reddish-orange hairstyle, her natural beauty, and the passion she brought to portraying spirited heroines. She was a powerful actress and an ebullient woman. Whether it was her getting saved from the hands of Charles Laughton in The Hunchback of Notre Dame (1939), being in love under the blackened sky of Walter Pidgeon in How Green Was My Valley (How Green Was My Valley, 1941), learning about miracles through Natalie Wood in Miracle on 34th Street (Miracle on 34th Street 1947) or in a battle against John Wayne in The Quiet Man (The Quiet Man 1952) Maureen O'Hara was the first biography written about the screen legend, called the Queen of Technicolor. This book chronicles the screen icon's journey from her childhood in Dublin until her peak of fame Hollywood the film writer Aubrey Malone draws on new details that comes from Irish Film Institute production notes of films, as well as information from the old film journals, newspaper and fan publications. Malone is also a bit more in-depth about the relationship between the actress and frequent collaborator John Wayne and her relationship with director John Ford and he addresses the much-discussed issue of whether or not the screen diva could be considered a feminist, or an antifeminist character. O'Hara, though an iconic figure from the golden age of cinema remains a mystery due to her tendency to remain private and her public statements which contradict her personal decisions. This first-ever biography provides a look behind O'Hara's larger-thanlife persona. By removing the myths surrounding her, the book provides an honest assessment of the legendary film star.